摘要 受“观物取象”与魏晋玄风的影响,陶渊明在诗文中表现出强烈的“观看”欲望,有意展现出“凝视”姿态。他对外面的风景无心观看,选择并聚焦于“旧居”“林园”“庭院”“田园”“白云”“飞鸟”等日常生活景物,故能摆脱玄虚困境,在“观看”中混融了主客体意识,对自然产生认同感,并形塑了作为“农夫”的自我形象,从而在思想上转向“新自然说”。 Influenced by“looking at things and images”and the metaphysical style of Wei and Jin Dynasties,Tao Yuanming showed a strong desire to“watch”in his poems,and intentionally showed a“gaze”posture.He selected and focused on“old house”,“forest garden”,“courtyard”,“countryside”,“white clouds”,“birds”and other daily life scenes,which enabled him to get rid of the metaphysical dilemma,to mix the subjective and objective consciousness by“watching”,to develop a sense of identity with nature,and to shape his self-image as a“farmer”,thus turning to the“the theory of new nature”in his ideology.
机构地区 江苏师范大学文学院
出处 《苏州教育学院学报》 2021年第1期16-22,共7页 Journal of Suzhou College of Education
分类号 I206.2 [文学—中国文学]
