摘要 白马藏族傩戏“池哥昼”是时代层累成的综合性艺术,须以跨学科的思维检讨,始能见其全貌。“池哥昼”受丝路文化影响,带着浓郁的商业性和独特的地域性特征,具有对抗性强烈的题材和勇武刚健的审美风格。最初“池哥昼”是白马藏族先民用巫傩拟兽践行原始崇拜的仪式,至戏剧、民歌、民间传说、口传部族史等文化成分相继被纳入,其形态从傩仪向初级傩戏演进,诸成分间的关系亦由傩仪叙事转为多种文化成分在仪式语境中参互叙事,叙事主旨始终是宗教信仰。“池哥昼”的形成与白马藏族民族形成密不可分。 Nuo Drama"Chi Ge Zhou"of Baima Tibetan is a kind of comprehensive art formed with ages which must be viewed from an interdisciplinary perspective so as to reveal its overall perspective."Chi Ge Zhou"was influenced by Silk Road and has two different cultural characteristics:dense commercial and unique regional characteristics;strong antagonistic theme and brave trong aesthetic style.At the beginning,"Chi Ge Zhou"was a kind of ceremony of primitive worship used by Baima Tibetan ancestors by using witchcraft,Nuo and imitating animals.With the continuous adoption of the components of dramas,folk songs,folklore and tribal history from oral broadcast,the forms of"Chi Ge Zhou"changed from the ceremony of Nuo to primary Nuo Drama,and the relationship among the components changed from the narrative of the Nuo ceremony to the jointly participatory narratives of multicultural components,but the purport of narrative is always religious belief.The coming into being of"Chi Ge Zhou"is closely related to the formation of Tibetan ethnic group.
机构地区 兰州城市学院文史学院
出处 《艺术百家》 北大核心 2021年第1期154-159,166,共7页 Hundred Schools In Arts
基金 2017年度国家社科基金艺术学项目“白马藏族非遗‘池哥昼’傩戏整理与研究”(项目编号:17BB035)阶段性成果之一。
关键词 白马藏族 傩戏“池哥昼” 参互叙事 民族文化 Baima Tibetan Nuo Drama"Chi Ge Zhou" Jointly Participatory Narratives Ethnicity Culture
分类号 J80 [艺术—戏剧戏曲]
